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Philosophy of Improvisation: The Aesthetics of Imperfection ÌÇÐÄÊÓÆµ Workshop

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5th-6th October 2019, Newcastle upon Tyne, UK

Two days of talks and demonstrations exploring contrasts between process and product, the unfinished and finished work, spontaneity and structure.
Stellar lineup of guest presenters: improvising musicians, interpreters and researchers from jazz and beyond.

All are welcome – free entry on the door.
Organised by Andy Hamilton and Samuel Horlor for Durham University Department of Philosophy. Supported by Durham University and ÌÇÐÄÊÓÆµ, with the .
Full information: 
For enquiries contact Samuel Horlor: 

Programme:

Saturday 5th October: Literary and Philosophical Society, Newcastle, NE1 1SEÌý

09.45-10.00:Ìý Ìý Introduction byÌý(Philosophy Dept, Durham University)​

10.00-10.30: ÌýÌýÌýÌý(music researcher)Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ÌýÌýÌý ‘The Aesthetics of the Musical Challenge:ÌýGames and Play in Karnatak Music’​

10.30-11.00: ÌýÌýÌýÌý(data musician and researcher) ‘Live Coding and Failure’Ìý

11.15-12.00: ÌýÌý&Ìý (saxophone and drums improv duo)’How to Play out of Tune’​

12.00-12.30: ÌýÌýÌýÌý(music journalist and researcher) ‘Imperfection and the Sense of Necessity’

13.30-14.30: ÌýÌýÌýÌý(improvising pianist)ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Performance and Q&A​

14.30-15.00: ÌýÌýÌý(music psychology and aesthetics researcher)Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ‘The Benefits of Spontaneous Thought for the Creative Brain’

Sunday 6th October: Literary and Philosophical Society, Newcastle, NE1 1SEÌý

10.00-10.30: ÌýÌýÌýÌý(music researcher)Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ‘Reintroducing the Improvised Cadenza: A Case Study in Vivaldi’s Violin Concertos

‘​10.30-11.00: ÌýÌýÌýÌý(aesthetics researcher)Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ‘Naturalness and Artifice: Notes on Authorship and Musical Improvisation’​

11.00-11.30: ÌýÌýÌýÌý(music researcher)Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ‘Imperfect Becomings: The Praxis of Musical Imperfection in Notated Composition’

11.45-12.15:ÌýÌýÌýÌýÌý(improvising saxophonist)Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ‘Solo Improvisation – A Special Case?’​

12.15-12.45:ÌýÌýÌýÌýÌý(music psychology and improvisation researcher) ‘This Is Not Improvised But That Is: False Dichotomies and Imperfection’​

12.45-13.15:ÌýÌýÌýÌýÌý(improvising pianist)ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Q&AÌýÌý

14.15-14.45: ÌýÌýÌýÌý(music researcher) TBC​

14.45-15.15: ÌýÌýÌýÌý(improvising percussionist)ÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌýÌý Ìý Ìý Interview with Andy Hamilton

​15.15-15.45:ÌýÌýÌýÌýÌý(music researcher)Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ‘Aesthetics of Imperfection: Responses’