St Anne鈥檚 College, Oxford, 8-10 September 2017
糖心视频 Annual Conference 2017
Registration and the full schedule details are now available
Book before 15 August for:
– early bird discounted fees
– 糖心视频 member discounts
– generous postgraduate subsidies
KEYNOTE SPEAKERS
Kathleen Higgins (University of Texas, Austin)
Fran莽ois Recanati (Centre National de la Recherche Scientifique, Paris)
The art critic Laura Cumming will deliver the William Empson Lecture
PAPERS
Brian Ball (Oxford), 鈥楪ood Art First鈥�
Adriana Clavel-V谩zquez (Sheffield), 鈥楾he Case for Contextual Autonomism鈥�
James MacDowall (Warwick), 鈥業rony and Ironic Pretence in Film鈥�
Panos Paris (St Andrews), 鈥楾he 鈥淢oralism鈥� in Immoralism鈥�
Peter Shiu-Hwa Tsu (Chung Cheng), 鈥極f Primary Features in Aesthetics: A Critical Assessment of Generalism and A Limited Defence of Particularism鈥�
Mario Slugan (Warwick), 鈥楾owards a definition of the Moving Image: An Alternative to Carroll鈥�;
Enrico Terrone (Coll猫ge d鈥櫭﹖udes mondiales 鈥� FMSH), 鈥楽eeing-in and Singling Out: How to Reconcile Pictures with Singular Thought鈥�
Thomas Wartenberg (Mount Holyoke College), 鈥業llustrating On Certainty 鈥� Mel Bochner鈥檚 Counting Alternatives:
The Wittgenstein Illustrations鈥�
SYMPOSIA
鈥楥ontemporary Work on Dance Ontology鈥�
Anna Pakes (Roehampton) et al
鈥楢rt and Religion in German Philosophy鈥�
Nick Stang (Toronto), 鈥榃hat Kind of Art Would Be Found in the Church of Reason? Kant and the Religious Function of Art鈥�; Andrew Huddleston (Birkbeck), 鈥楾he Idea of an 鈥楢rt-Religion鈥�; Ingvild Torsen (Oslo), 鈥楾he Truth of Art: The Role of Religion in Heidegger鈥檚 Ontology of Art鈥�
POSTGRADUATE PAPERS
Alexey Aliyev (Maryland), 鈥榃hat is a Novel?鈥�
Claire Anscomb (Kent), 鈥楢ppreciating Hybrid Forms of Photography鈥�;
Larissa Berger (Siegen), 鈥榃hat the Kantian Pleasure in the Beautiful Feels Like鈥�
David Collins (McGill), 鈥楽hedding Light on Seeing Things through Photographs: A Further Defence of Walton鈥檚 Transparency Thesis鈥�
Dieter Declercq (Kent), 鈥業ronic Characters in Satire: A Challenge to the Pretence Theory of Irony鈥�
John Dyck (CUNY), 鈥楽patial Music鈥�
Laszlo Kajtar (Central European University), 鈥業mmersion as an Imaginative State: Fiction and Nonfiction鈥�
Robbie Kubala (Columbia), 鈥楩ittingness and Value: A Two-Level Theory of (Some) Aesthetic Normativity鈥�
Madeleine Ransom (British Columbia), 鈥楬ow to Argue for Aesthetic Perception without relying on Intuitions鈥�
Clinton Peter Verdonschot (Essex), 鈥楢ttention, Disinterest & the Affordance of Extensive Clarity鈥�
PROGRAMME COMMITTEE
David Davies (co-chair, McGill), Katherine Thomson-Jones (co-chair, Oberlin), Emily Caddick Bourne (Hertfordshire), Diarmuid Costello (Warwick), Jason Gaiger (Oxford), James Grant (Oxford), Louise Hanson (Cambridge), Hans Maes (Kent), Anna Pakes (Roehampton), and Kathleen Stock (Sussex).
Programme subject to change
糖心视频
www.british-aesthetics.org